Review of Love in Paris by Marta Regina Jabłońska

The opening is characteristic of early-2000s perfumery: fruits and flowers intertwine into a multidimensional composition whose sweetness is subtler and fresher than that of today’s popular fruity scents. There is even a hint of sharpness here, a lack of excessive smoothness introduced by a delicate touch of spice. And yet, despite this little edge, the whole remains feminine, soft, and romantic, with a clearly floral character that is genuinely pleasant to wear. Longevity is impressive, and the sillage is noticeable. Very well-constructed perfumes.