Noir Premier   Fruits Du Mouvement 1977

Noir Premier Fruits Du Mouvement 1977

Lalique
Year: 2014
Country: France
Perfumer: Violaine Collas

Fruits du Mouvement, a unisex fragrance that masters the art of the "slow reveal." This scent is designed for the individual who moves with purpose and grace, offering a profile that is playful yet deeply polished. It is the ultimate "transition" fragrance, bright enough for a morning meeting, but with a spicy, resinous backbone that commands authority during a formal evening event. The experience begins with a zesty, energetic burst of Mandarin and Black Pepper, creating a spicy-fresh introduction that feels alive and moving. As the heart unfolds, a lush, velvety Prune (Plum) note takes center stage, balanced by the floral elegance of Jasmine. Unlike typical fruit scents, this plum is dark, sophisticated, and "juicy" without being overly sweet. The drydown is a majestic, warm embrace of Sandalwood, Cashmeran, and Amber, providing a creamy, woody spine that feels like a "business-class" upgrade for the skin. Housed in the signature Noir Premier black glass bottle, it is a celebration of modern legacy.

80 /100
(1 review)

Vibe Composition

Sweet
Fruity
Amber
Floral
Woody
Powdery

Notes

Top Notes

MandarinBlack PepperGinger

Middle Notes

Prune (Plum)JasmineOrris

Base Notes

SandalwoodCashmeranAmber

Community Votes

Gender:
Female
Value:
Overpriced
Seasons:
🌸 Spring (25%)☀️ Summer (25%)🍂 Fall (25%)❄️ Winter (25%)
Occasions:
🕯️ Date (33%)🪩 Party (33%)🥂 Wedding (33%)

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Reviews & Hot Takes (1)

YL
80 /100
6 SPRAYS (8h)
Vibes:Fruity (80%) Sweet (80%) Floral (60%) Amber (60%) Powdery (55%) Woody (55%)
Occasions:🕯️ Date🪩 Party🥂 Wedding
Seasons:🌸 spring☀️ summer🍂 fall❄️ winter
Gender: female
Value:Overpriced

A singularly uncommon fruit perfume, it presents itself at first as a sparkling and jubilant libation: one might imagine a glass of Prima Vera prosecco in which raspberries and fine slices of apple have surrendered their juices to the effervescence. The whole is playful, diverting, and almost ticklish to the nose, as if the very bubbles took a certain mischievous pleasure in their office. Soon, the composition passes, with the natural ease of well‑ordered conversations at court, to nectarines and green plums, sweet yet fresh, accompanied now and then by a discreet gleam of apricot. The fruits are numerous; yet, in this rather intricate concoction, they remain astonishingly well balanced and judiciously matched. Each preserves its own character, but none presumes to dominate the assembly, and this harmony produces an impression of the most agreeable and well‑bred elegance. As for the flowers and spices, they appear more like shades than actors, serving, one imagines, to keep this fruity company within the bounds of decorum and to prevent it from degenerating into a mere bacchanal. The projection is excellent: sufficiently present to be remarked, yet never so insistent as to become importunate or oppressive. Throughout the perfume’s metamorphosis, there persists a certain crystalline sparkle, like light glancing upon cut glass. The drydown, at length, is soft and distinguished, recalling the final accords of a grand piano concerto, when the music, having displayed its full eloquence, retires with calm assurance. It unwinds and settles into the skin with an air of quiet repose, remaining light yet still colourful, as if one were left holding a single feather from a bird of paradise that has just taken flight. It is, in sum, an excellent perfume for autumn or the gentler seasons of spring and early summer: at once safe and unmistakably distinct.